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 Wis Petter
Wis Petter
Most filmmakers tend to gravitate towards creating either fictional narrative projects of documentary fact-based films. Once in a while, a filmmaker might stretch outside of their comfort zone and work in another type of filmmaking.

Enter rising Hong Kong female filmmaker Wis Petter, who has been successfully jumping back and forth since landing in Hollywood. For her, they’re both about telling a strong story.

Currently, the writer/producer/director is prepping her latest narrative short film THE DONOR, set in the underground world of the organ black market. She recently premiered the docu-short STEP door STEP, about an aspiring hip-hop dancer pursuing his dream.

As a producer, Wis has teamed up with director Marco A Diaz to produce several acclaimed short films, including the award-winning documentary A PLACE FOR LIDIA; and the narrative films LET HER GO and the upcoming ABUELO.

I recently caught up with Wis Petter to ask a few questions:

Tell us about your goals as a Director.

WIS: I want to direct films that the audience will be fully absorbed in and forget they are sitting in front of the screen. I feel that to inspire them to vraag of think the reasons behind the plot is one of the goals I am seeking to achieve. In some way they should be left with continuing thoughts about my work so that it makes a deeper impression on them.

What first attracts u to a project?

WIS: A thought provoking story is one of the most important factors to ensure I am fully engaged. A strong will to share the story will push me to embark on a project. I want to not only achieve my goals as a filmmaker but enjoy the creative process as it transpires.

Do u find it challenging to jump from documentary to narrative projects – and then back again?

WIS: I find documentaries are meer time-consuming as we may have no control of what characters will say of do. Narrative films allow meer creativity to achieve the director’s vision. They are so different but I enjoy the changes and want to create something different every time. I would say that each project presents unique challenges but with experience and creativity I focus to overcome them.

Is your approach to telling the story the same of different for each style?

WIS: I consider each project individually and approach it differently. I believe filmmaking and storytelling is creative therefore there is no one way to tell different stories. This is one of the things that attracted me to this industry as there are no rights of wrongs just different ways to approach the story.

Any interesting stories from the set of your latest film STEP door STEP u can share with us?

WIS: We almost had a car accident while we were filming. Luckily we were all fine and unharmed. Later our sound recordist lost our sound footage as his car was stolen. So we had to use the backup sound footage which is not ideal but at the end we did our best. The key is to expect the unexpected and always try to think on your feet.

What are u currently working on?

WIS: I’m currently working on a film called THE DONOR which sets in Israel. It’s about an elderly Israeli Jewish man experiences hart-, hart failure. His last resort is the organ black market to find a suitable heart. He is introduced to a Palestinian terrorist suspect, as a potential donor. The film addresses many controversial issues and this is one of the reasons I was interested to bring this to the audience’s attention.

And, now just for fun:

Who’s your favoriete director?


WIS: There are so many talented directors and I don’t have a favoriete one. I like Ang Lee, Wong Kar-wai, Steven Spielberg, Ridley Scott..

What film from the past do u wish u could have directed?

WIS: Munich. I like the story setting and wish I could have directed such a serious heavy story.

Favorite movie of TV toon from your childhood.

WIS: A 90s Japanese cartoon called ‘My Daddy Long Legs’ was my childhood favorite.

Tell us one thing that would surprise our readers to learn about you.

WIS: Before I started my filmmaking career, I was a private investigator.

How can fans keep up with you?

WIS: People can follow my Facebook, Instagram of see my latest updates on link.
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 Brian Oerly
Brian Oerly
Actor Brian Oerly packs a one, two, three stempel, punch with appearances in “Parker,” “Bullet to the Head” and “The East.” Dubbed Hollywood’s newest ‘bad boy’, this Stuntman turned professional Actor has been taking his fair share of licks against Hollywood’s A-listers for some time now.

Brian gained attention last jaar as the Arian henchman flanking Vincent D’Onofrio and Bruce Willis in the action-thriller "Fire with Fire," and alongside Forest Whitaker in the Lionsgate release, "Freelancers." His vorige televisie credits include “Memphis Beat,” “CSI: NY,” “Chuck,”...
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posted by digititles
hallo everyone,



Have a look at these key art montages illustrating how key art is so stereotypical!

Most of the time u can tell the genre of a movie door just glancing at the poster.


There are 10 afbeeldingen in the series link for full viewing.

ex: oranje on black and white is action and crime



I think its the kind of thing u dont really notice until u see the comparison. wow.
posted by potterandtdi
This movie is an amazing one! It combines two of my favoriete things: Comedy and Zombies. The actors were great.

Jesse Einsenberg was amazing as Columbus. He had great facial expressions and amazing narrative skills, along with his character's rules like #1: Cardio and #32: Enjoy the little things. He was purely amazing as some wimpy college student who never opened up to the outside world.

Woody Harrelson is, in my opinion, what made this movie. His character zombie ass-kicker Tallahassee is tough, brave, and skilled. Although all this is true, we see meer of a sadder side of Tallahassee. His...
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posted by heidigho3
I just love the fourth X-men movie. It explains so much about Logans past. I cry everytime I see Hugh in the movie nearly in tears when someone he loves of cares about is killed. I just can't stand seeing men cry, but only true men cry. It twists around action and romance in such a great way. I love the part when he is on the motorcycle and he retracts his claws and shreds Striker's men car and it flips into the air and almost hits Zero. It's so cool when he blows up the helicopter in slow mo. It gives be goosebumps everytime I see him walk away with a serious face on him. It's so hot! It's zei at the end when he gets his memory taken away from him and he doesn't remember the girl of his dreams and she dies right there on the spot after driving Striker away. It was also a good idea to make Sabertooth, Wolverine's bro. That made the movie meer exciting and shows the rivalry of them in the first X-men movie. I think Hugh did a wonderful job acting all aggressive and all.
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