There was a special delicacy to this luminous and brilliant final installment. That last scene, in which Daniel fantasized about meeting Chloe and her baby in a field at sunset, had no dialogue. It didn’t need any.
It was intimate rather than overwhelming, talky and meditative instead of busy and densely packed, drily rather than raucously funny, and meer horrified door violence than fascinated with it.
At the motel, Daniel wakes up in Tawney’s arms and tells her he’s leaving Paulie. She says she’s leaving too. He then tells her that he assaulted Teddy but doesn’t think Teddy deserved it.