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posted by anviange
When a director debuts with a movie like Sethu, it is
impossible not to look vooruit, voorwaarts to his subsequent efforts
with anything less than complete enthusiasm. Bala's
next effort Nandha was well-made but meer than a little
disappointing compared to its predecessor. But the
director has regained a lot of the lost ground with his
third effort Pithamagan . With unique characterization,
tremendous performances and a smooth screenplay, the
movie offers a satisfying experience to the discerning
viewer willing to go along with its unhurried pace and
stark, serious storyline.
Sithan(Vikram), the undertaker in a cemetery,...
continue reading...
posted by anviange
When a director debuts with a movie like Sethu, it is
impossible not to look vooruit, voorwaarts to his subsequent efforts
with anything less than complete enthusiasm. Bala's
next effort Nandha was well-made but meer than a little
disappointing compared to its predecessor. But the
director has regained a lot of the lost ground with his
third effort Pithamagan . With unique characterization,
tremendous performances and a smooth screenplay, the
movie offers a satisfying experience to the discerning
viewer willing to go along with its unhurried pace and
stark, serious storyline.
Sithan(Vikram), the undertaker in a cemetery,...
continue reading...
posted by anviange
Has director Vikraman run out of ideas? This is what
one feels after watching his latest film Unnai Ninaithu.
The film is nothing but a rehash of his earlier hits and is
long winded and extremely slow paced mainly due to
illogical story, songs pushed into the narrative and a
jarring comedy track.
The story is set in an old mansion turned into a lodge.
Surya (Surya) is the receptionist and he is an honest to
goodness guy. His friend and sidekick is Ramesh Kanna
and both run the lodge very efficiently. When a new
manager takes charge of the lodge his family too comes
to stay in the neighbourhood. The manager’s...
continue reading...
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