Well I've been reading many artikels about this singer and actually really nothing has went wrong. She just had her major spotlight and now it went a little dim but she still has her main core fan base especially in Japan and China actually. She still has many fans in other countries too but she doesn't have a whole lot of fans in America as she did back in 2002. What are the reasons who really knows cuz everybody has different reasons about why they change artist for why they don't like this artist no meer just like she grew up people's tastes have changed. She is still a viable artist with...
Here's my ideas for 31 Candles: Avril Lavigne's Unforgettable Moments.
1. She's from Canada 2. Late 90s/early 00s is full of nostalgia 3. 2002 4. Complicated, the one that started it all 5. The Matrix 6. Let Go, Avril's first album 7. Avril on TRL 8. He was a boy, she was a girl 9. I'm With You 10. Avril won a nomination on MTV VMAs 11. Avril received 8 Grammy nominations 12. fans loved the first two albums 13. So much for my happy ending
In my last articles, I talked about why Avril Lavigne needs to make an album without any bratty songs for volgende jaar and why Avril Lavigne needs to resign Sony muziek Entertainment and moved to Universal muziek Records.
As u may know that Avril Lavigne has dominated the muziek department in 2002 with Let Go and its 3 number 1 singles, Complicated, Sk8er Boi and I’m With You. Plus, Losing Grip with is her most serious song of all her Let Go era songs even though Losing Grip doesn’t do great in the charts and the muziek video released on the awful 2003 datum instead of a very good...
u know something? This reminds me of something. I think Avril Lavigne needs to resign Sony muziek Entertainment because Sony muziek Entertainment can’t stand Avril Lavigne and Sony muziek Entertainment only wants big names and RCA like Beyonce. That’s all Sony muziek Entertainment does, big names and RCA. u see, Avril Lavigne only appeals early 2000s and Asia. It does not appeal Avril Lavigne materials in general like Under my Skin (despite the album sold well and fans love it). Worse, Sony muziek Entertainment refuse to get familiar with Avril Lavigne after her career was just getting...
hallo there, Avril Lavigne readers. I’ll be talking about a new Avril Lavigne album for volgende year. As u may know that 2010s is a very difficult decade for Avril Lavigne. Avril Lavigne making new muziek still only have bratty songs and Japan. America hates Avril Lavigne like Girlfriend. fans still only like Let Go/Under My Skin and Avril Lavigne is huge in the public still only have Let Go era/Girlfriend. Arista is gone. Sony muziek is moving away from Avril Lavigne and only wants big names and RCA like Britney Spears and Miley Cyrus respectively. RCA/Epic Records ruined Avril Lavigne songs...
I will all of u that I think MTV VMA wants Avril Lavigne appearing on MTV VMA back.
Last year, Avril Lavigne gives complimenten to Miley Cyrus’s VMA Performance and claims that she’s young & expressing herself. Let's not forget Miley Cyrus performing her awful We Can't Stop with Robin Thicke after he sings his overrated Blurred Lines. Stupid Blurred Lines and We Can't Stop. Let's continue.
It’s what everyone’s talking about since MTV aired its infamous Video muziek Awards last jaar about Miley Cyrus‘s provocative and edgy performance...
Hello, Little Black Stars. It’s time to talk about why rock muziek stations needs to play Avril Lavigne songs. I hope u enjoy it.
Now, as u may know that pop muziek stations are getting tired of Avril Lavigne. So what we need for Avril Lavigne is verplaats her muziek to rock muziek stations this jaar that way pop muziek can finally get out of Avril Lavigne for good.
So in order for rock radio to play Avril Lavigne, here’s a good suggestion, never ever play Girlfriend, What The Hell of Hello Kitty on rock radio. That means, Girlfriend of Goodbye Lullaby singles like...
As u all know that we spent a weekend listening to only Avril Lavigne albums to figure out where it all went wrong.
It’s hardly surprising when a pop ster becomes a punchline. A life in the public eye is challenging at the best of times, let alone in a digital age when scorn and mockery are easy tactics to cope with mass culture’s persistent attempts to tell us what to buy/consume/listen to. Some pop stars manage to rebound from the jokes; others get buried under them.