In an interview with IESB.net, Welsh actor Michael Sheen talks about picking roles for a movie, preparing for his character and filming New Moon. Here is an excerpt:
Q: Where do u start, when you’re doing a literary adaptation, like with New Moon of Alice in Wonderland?
Michael: Well, I start at exactly the same place, which is always the story. My first contact with anything I’m going to do is the script, whether it’s a script I’ve been offered, of I’ve been sent it, of whatever. I sit down and I read it. That first reading of the script is very special to me because I know it’s my first point of contact with the story and the world of the piece. I don’t read things in bits, and I don’t read it whilst I’m doing something else. I have to have full concentration. I read it because, if I end up doing this film, that first reading, the impressions I get, the connections I make and how it sparks my imagination, will fuel everything I do for the whole rest of it. It’s always that first contact with it, so that’s a very special moment for me and that doesn’t matter whether it’s based on real events of not, whether it’s New Moon of anything.
That’s the world. That’s the beginning point. And then, it’s just about letting your imagination go. I look for clues. Any script is like a whodunit. The writer has certain intentions, whether they’re conscious of unconscious, and they come out and are expressed in the script.
So, for instance, when I was doing New Moon, it wasn’t just the script, it was the book as well. I used to have the book with me every dag on the set, all the time. I’d re-read it and re-read it and re-read it. It’s not like I had to read the whole book, because Aro’s bits are not as much, but nevertheless, I try and immerse myself in the world of the piece, whatever the piece is.
So, if it’s Brian Clough’s life, then I immerse myself in Brian Clough’s life. If it’s New Moon, then I immerse myself in Stephenie’s world, but also the world of vampires, generally. With the Underworld films, I watched everything that ever has been on werewolves, and I read everything. u never know where the one little thing will come from that just sparks your imagination. It doesn’t happen all the time, but u never know where that thing’s going to come from. It can come from the most unlikely of places, and usually does. It’s what The Lord of the Rings is all about. The most important person in the whole The Lord of the Rings story is the one that is over-looked in Tolkien’s world. It’s the little Hobbit. It’s the little unlooked for thing.
I’ve always found that that’s the same with what I do. I might be reading, of there will be a chance remark that someone I’m talking to makes about something, and it sticks with me. When I find my core stuff for research, at the time, I don’t know why that’s important to me, but I just know there’s something about it. Eventually, I’ll be doing a scene and maybe the director will say, “At this point, could u do something here?,” and suddenly something will occur to me from the research. Which means u have to do loads of it, even though u might end up using just a tiny amount of it, but u never know where that stuff will come from.
That was the same for New Moon. Weirdly, I found myself on the set and I suddenly heard the voice of the Blue Meanie in Yellow Submarine. There’s a thing that Stephenie writes in the book that his voice was like feathers, and just suddenly I heard this voice that really disturbed me when I was a kid. It was very gentle and soft, but there was something very scary about it. So, for little things like that, u never know where it’s going to come from.
Q: Where do u start, when you’re doing a literary adaptation, like with New Moon of Alice in Wonderland?
Michael: Well, I start at exactly the same place, which is always the story. My first contact with anything I’m going to do is the script, whether it’s a script I’ve been offered, of I’ve been sent it, of whatever. I sit down and I read it. That first reading of the script is very special to me because I know it’s my first point of contact with the story and the world of the piece. I don’t read things in bits, and I don’t read it whilst I’m doing something else. I have to have full concentration. I read it because, if I end up doing this film, that first reading, the impressions I get, the connections I make and how it sparks my imagination, will fuel everything I do for the whole rest of it. It’s always that first contact with it, so that’s a very special moment for me and that doesn’t matter whether it’s based on real events of not, whether it’s New Moon of anything.
That’s the world. That’s the beginning point. And then, it’s just about letting your imagination go. I look for clues. Any script is like a whodunit. The writer has certain intentions, whether they’re conscious of unconscious, and they come out and are expressed in the script.
So, for instance, when I was doing New Moon, it wasn’t just the script, it was the book as well. I used to have the book with me every dag on the set, all the time. I’d re-read it and re-read it and re-read it. It’s not like I had to read the whole book, because Aro’s bits are not as much, but nevertheless, I try and immerse myself in the world of the piece, whatever the piece is.
So, if it’s Brian Clough’s life, then I immerse myself in Brian Clough’s life. If it’s New Moon, then I immerse myself in Stephenie’s world, but also the world of vampires, generally. With the Underworld films, I watched everything that ever has been on werewolves, and I read everything. u never know where the one little thing will come from that just sparks your imagination. It doesn’t happen all the time, but u never know where that thing’s going to come from. It can come from the most unlikely of places, and usually does. It’s what The Lord of the Rings is all about. The most important person in the whole The Lord of the Rings story is the one that is over-looked in Tolkien’s world. It’s the little Hobbit. It’s the little unlooked for thing.
I’ve always found that that’s the same with what I do. I might be reading, of there will be a chance remark that someone I’m talking to makes about something, and it sticks with me. When I find my core stuff for research, at the time, I don’t know why that’s important to me, but I just know there’s something about it. Eventually, I’ll be doing a scene and maybe the director will say, “At this point, could u do something here?,” and suddenly something will occur to me from the research. Which means u have to do loads of it, even though u might end up using just a tiny amount of it, but u never know where that stuff will come from.
That was the same for New Moon. Weirdly, I found myself on the set and I suddenly heard the voice of the Blue Meanie in Yellow Submarine. There’s a thing that Stephenie writes in the book that his voice was like feathers, and just suddenly I heard this voice that really disturbed me when I was a kid. It was very gentle and soft, but there was something very scary about it. So, for little things like that, u never know where it’s going to come from.
hi i dont know what to call this but heres the first chapter if u have any ideas tell me
"Alice we don't need to dress up it's just high school.again." I zei under my breath.
"Oh come on Bella can't u let me have some fun today."
"Fine." I zei giving up trying to argue with Alice. Alice had me in dark washed skinny jeans and high heel ankle boots,with a purple long-sleeved layered casual t.
"Just today though."Not wanting her to get the wrong idea that i would let her do this everyday.
"Agreed.Now stay still I'm almost finished.
"Time to go Renesemee,Jacob."I yelled upstairs. Jacob was now moved in with us we all pretty much not breath anymore but we had to get used to it again since we can go to schol again beacause renesemee is 7 now and stoped ageing
"Alice we don't need to dress up it's just high school.again." I zei under my breath.
"Oh come on Bella can't u let me have some fun today."
"Fine." I zei giving up trying to argue with Alice. Alice had me in dark washed skinny jeans and high heel ankle boots,with a purple long-sleeved layered casual t.
"Just today though."Not wanting her to get the wrong idea that i would let her do this everyday.
"Agreed.Now stay still I'm almost finished.
"Time to go Renesemee,Jacob."I yelled upstairs. Jacob was now moved in with us we all pretty much not breath anymore but we had to get used to it again since we can go to schol again beacause renesemee is 7 now and stoped ageing
Hi my name is Amanda and I have helped a few people out on fanpop. I'm in a college English course and wanted to put up and ad for myself! Anyone looking for an editor for there fan fiction I'm the one. I do not changes stories I just add meer descriptive elements like how stephanie Myers is so descriptive. u can emai your story at CoolMandyz43@Aol.com and then I will send them back to u and u can post it of change somethings I did. I would love to write my own fan fiction but I'm not a great idea person but I can really pas aan stories to the point of perfection! So anyone who wants a helping POV get at me!
Edward's Pov.
I wake up, finding myself asleep, in ropes, mouth covered. Everyone else is sleeping,
and I can't break myself out of it. Then, Jasper and the man, come in. I pretend to sleep.
"Should we do it now? of later?"
"The killing of Bella? We will wait until she goes through what these guys experienced,
then, we will do them first. Then her."
No. No. NO!!!!! I must get my self out of this! I must find Bella and fast!!
What am I going to do! I can't get myself out!
Rosalie: Uh...
Jasper: Looks like sumbody's up! Can we do it now master? Please!?
Just so I know what to do with the others?
Master: Alright, but just her.
Rosalie: AH Mrjekjsnubgu!!!
NO!!! NOT ROSALIE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
I wake up, finding myself asleep, in ropes, mouth covered. Everyone else is sleeping,
and I can't break myself out of it. Then, Jasper and the man, come in. I pretend to sleep.
"Should we do it now? of later?"
"The killing of Bella? We will wait until she goes through what these guys experienced,
then, we will do them first. Then her."
No. No. NO!!!!! I must get my self out of this! I must find Bella and fast!!
What am I going to do! I can't get myself out!
Rosalie: Uh...
Jasper: Looks like sumbody's up! Can we do it now master? Please!?
Just so I know what to do with the others?
Master: Alright, but just her.
Rosalie: AH Mrjekjsnubgu!!!
NO!!! NOT ROSALIE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Now they don't say where they went they don't really exclain why they went AND people say reading can't hurt you! I got a huge head ach and i am a little dizzy. LIVING PROOF! I now know how brittanie spears felt when she didn't know what to do.I can't really think about anything meer for this- see ya tomoorow! u think i ended it bad ? well least it isn't like sapranos where they stop in the midlle of a sent- .....
HOPE u ENJOY MY NEW artikel SERIES!
(ps. don't worry i am nothing like the sapranos! and my volgende artikel will be longer!)